Wednesday, February 12, 2014

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The Three-Body Problem (Remembrance of Earth's Past), by Cixin Liu

The Three-Body Problem (Remembrance of Earth's Past), by Cixin Liu



The Three-Body Problem (Remembrance of Earth's Past), by Cixin Liu

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The Three-Body Problem (Remembrance of Earth's Past), by Cixin Liu

The Three-Body Problem is the first chance for English-speaking readers to experience this multiple award winning phenomenon from China's most beloved science fiction author, Liu Cixin.

Set against the backdrop of China's Cultural Revolution, a secret military project sends signals into space to establish contact with aliens. An alien civilization on the brink of destruction captures the signal and plans to invade Earth. Meanwhile, on Earth, different camps start forming, planning to either welcome the superior beings and help them take over a world seen as corrupt, or to fight against the invasion. The result is a science fiction masterpiece of enormous scope and vision.

  • Sales Rank: #9636 in Books
  • Published on: 2014-11-11
  • Released on: 2014-11-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.51" h x 1.30" w x 6.32" l, 1.10 pounds
  • Binding: Hardcover
  • 400 pages

Review
“Remarkable, revelatory and not to be missed.” ―Kirkus Reviews, starred review

About the Author

CIXIN LIU is the most prolific and popular science fiction writer in the People's Republic of China. Liu is an eight-time winner of the Galaxy Award (the Chinese Hugo) and a winner of the Nebula Award. Prior to becoming a writer, he worked as an engineer in a power plant in Yangquan, Shanxi.

KEN LIU (translator) is a writer, lawyer, and computer programmer. His short story "The Paper Menagerie" was the first work of fiction ever to sweep the Nebula, Hugo, and World Fantasy Awards.

Most helpful customer reviews

290 of 310 people found the following review helpful.
Opening salvo top notch Science Fiction series
By Kilgore Gagarin
First, this does not read like a translation. Ken Liu's translation of Cixin Liu's original Chinese language novel, "San ti" (2008) comes across seamlessly in the spare, translated English prose (though I cannot speak as to the authenticity of the translation, rather, just the style). Ken Liu sprinkles footnotes throughout the novel giving some useful background with regards to the Chinese Cultural Revolution of the 1960's and 1970's, as well as background in math and physics.

The plot's political and scientific setting reminded me quite a bit of the writing of Gregory Benford, specifically, his novel Timescape. If I were to hazard a guess, if you like Benford's writing, you'll enjoy this novel. If you dislike Benford (he isn't everyone's cup of tea) you might want to pass on this. This is very much hard core, traditional science fiction. The backdrop of China's Cultural Revolution gives a memorable setting. Cixin Liu's personal experiences as a Chinese citizen (a young child - he was born in 1963) lends a degree of authenticity to that aspect of the novel.

Please, please, please read at least to the halfway point. Mr. Liu's plot slowly and steadily increases the pace. I loved the entire book, but one fellow reader was going "meh" until she read enough to tell me SHE wants to read the entire series now. If you find yourself thinking, "What's the big deal" just keep on going. This is a FUN read!

Note that this is the first of an original trilogy by the author, and I'm hooked. Try to avoid reviews that give too much of the plot away and just enjoy the work. Having never read this author before, I can see why he is one of the best selling science fiction writers in China. With this series I think he's about to widen his audience.

UPDATE: I read this book again and it has led me to preorder the next in the trilogy, The Dark Forest, which doesn't even come out in English until some time in 2015.

310 of 335 people found the following review helpful.
Science Fiction that Relies Heavily on Physics
By Nancy Famolari
Ye Wenjie, a young astrophysicist, suffered during the Chinese Cultural Revolution seeing her physicist father killed by an out of control group of young students. For awhile she buries herself in the forests as part of the Construction Corps, sawing down irreplaceable old trees. This experience like the Cultural Revolution convinces Ye Wenjie that humanity is not redeemable.

Her father's past as a famous physicist follows her into the Construction Corps. Before she is convicted, she's whisked away to a remote antenna station to serve as a technician. She intends to spend the rest of her life there, but events push her into the forefront of a new revolution, one to discredit science.

The book moves back and forth between Ye Wenjie's experiences and Wang Maio's. Wang is an applied physicist working on nanomaterial. He is drawn into the investigation of why so many famous scientists are committing suicide. At first he doesn't see how he fits the mold, but as the investigation progresses he gets caught up in the three body problem.

This is one of the best science fiction books I have ever read. The background relies heavily on physics which makes it fascinating. The author does an excellent job of weaving real concepts into his story. If you enjoy physics, this is a must read.

Wang and Ye are good characters. Wang grows as he faces the looming catastrophe. Ye is an enclosed woman who hides deep secrets. However, my favorite character was Da Shi. Unlike the scientists, he is a pragmatic observer who doesn't worry about theory. He looks at life. His common sense is one of the most refreshing parts of the book.

I highly recommend this book. It's the first book in a trilogy. The other two books are not available yet. If you like reading really good science fiction, you'll love this book.

5 of 5 people found the following review helpful.
Excellent foundation but flat characters, flimsy science, and sloppy writing (some spoilers)
By Daniel Switts
The main idea of the book is compelling, and for that alone it gets 3 stars, but I have three issues with it: (1) the science is explained clumsily and unconvincingly, (2) the characters are poorly developed and (3) the writing is strongly affected by the Chinese-to-English translation.

The primary concept is fantastic. There is an alien civilization (the Trisolarans) that exists on a planet in the Alpha Centauri system. The Alpha Centauri system is a three-body system, resulting in chaotic weather patterns, hindering the advancement (and enjoyment) of the Trisolarans. Their entire existence is about surviving these rapid shifts and their evolution seems to have prepared them to effectively 'hibernate' in periods of extreme heat or extreme cold. The Trisolarans and Earth make contact But the Trisolarans make contact with a disgruntled Chinese physicist who has been put through hell through the cultural revolution and distrusts humanity as a whole. When the Trisolarans learn of the stability of Earth, they decide to take over the Earth. The Trisolarans recognize that they will not be able to arrive to Earth for 400-some years and are worried that humanity will have developed substantially by the time they arrive. To curb this, the Trisolarans try to leverage the disillusioned people on Earth (by using tactics similar to religions and cults) in order to halt the progress of science on Earth such that the Trisolarans will have a weaker opponent when they arrive.

This central concept is fascinating. You have an alien society with a clear purpose and objective. The three-body nature of their world provides a fascinating explanation of their harsh perspective and survivalist nature. The idea that contact would be made by someone who distrusts Earth is also fascinating. And finally, the idea of an alien civilization using our religious proclivities in order to try to halt science to make an invasion more likely is compelling (and, scarily, feels like it would work to some extent).

Unfortunately, once you branch out from the primary concept, the implementation is poor. For example, the method through which the Trisolarans infiltrate the Earth is a cop-out. The trisolarans have some magic device that is the size of a single proton (called a Sophon) that can (1) move at the speed of light, (2) make intelligent decisions at the same speed, and (3) influence the world at those speeds. This 'sophon' can also transmit information simultaneously back to the Trisolarans through "entanglement". I'm willing to accept the simultaneous transmission concept as an important sci-fi trope (although it has been disproven), but I earnestly think the story could have been more interesting if the Trisolarans had to think carefully about the four-year delayed messages and to rely more heavily on their human infiltrators to perform their deeds. In addition, I simply cannot accept the magic, intelligent, light-fast particle idea. It feels like a gimmick. Early on in the book, there are a number of mysterious events that occur, and the reader is left thinking 'what could possibly explain these crazy phenomena'. In the end, there is no explanation but a cheap, effectively omniscient and omnipresent particle. It's effectively like saying the Trisolarans are god (minus the omnipotence). It felt like the author decided he wanted certain things to occur (a countdown showing up in photos! the universe 'pulsing'!) and then had to come up with something that could create those occurrences, resulting in a hand-waving solution. This is but one gripe, but there are a number of similar issues that arise during the book that other reviewers have explained.

Finally, the character development is non-existent. I think the author may have made a conscious choice to focus more on the effect on humanity as a whole instead of the effects on individuals, but I really wish I got to know these characters better. What does Wang (one of the primary characters) think about his family and wife in the context of the potential end to civilization? Has he told them anything? How does he reconcile these issues? I think these individual human responses to the terrible reality is important for getting the full context of the overall effect on humanity, and it just feels kinda empty without it.

Finally, much of the writing feels sloppy. However, I think this is largely because of the translation. Translating from Chinese to English is notoriously difficult, and it comes across here. The author gives some background with certain footnotes, but it still feels like a lot is lost in translation, especially in the dialogue, which feels stilted--like two intelligent and well-educated non-english speakers are trying to communicate.

This book was good and I do not regret the few hours I spent reading it. I will probably read the next book to see where things go. But I thought this book had so much potential that was wasted.

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