Monday, October 31, 2011

[J788.Ebook] Ebook Free Young's Analytical Concordance to the Bible, by Robert Young

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Young's Analytical Concordance to the Bible, by Robert Young



Young's Analytical Concordance to the Bible, by Robert Young

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Young's Analytical Concordance to the Bible, by Robert Young

A standard Biblical concordance, Young's casts all words in the Bible into alphabetical order and arranges them under their respective original words. This helps the reader to analyze more accurately the various uses of the original Hebrew and Greek words. Includes over 300,000 biblical references.

  • Sales Rank: #66897 in Books
  • Brand: Hendrickson Publishers
  • Model: 1748537
  • Published on: 1984-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.20" h x 2.30" w x 8.80" l, 4.20 pounds
  • Binding: Hardcover
  • 1206 pages

Most helpful customer reviews

54 of 57 people found the following review helpful.
Why I like it better than Strongs
By Chris French
Most concordances let you trace an English word through the Bible. But, is it really the same word? Is ``infirmity'' astheneo (weakness) or nesos (sickness) in this verse? Both Youngs and Strongs give you the Hebrew or Greek word. However, Youngs gives you all the translations of the ``original'' word, so that you can trace just that word. One English word may actually be several different Hebrew or Greek words. Likewise, one Hebrew or Greek word may actually be translated by several English words. Straighten it all out with Youngs, without having to become a language scholar.

1 of 1 people found the following review helpful.
Pleasant Surprise
By Greogry L Crawford
I have been pleasantly surprised by the number of additional Bible study aids that are contained within this special book. I strongly recommend this resource to all serious students of the Word.

1 of 1 people found the following review helpful.
Five Stars
By Dianaru
Nice size print, sturdy and easy to read I'm enjoying it very much.

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[K729.Ebook] Get Free Ebook Adobe Premiere Pro CS6 Classroom in a Book, by Adobe Creative Team

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Adobe Premiere Pro CS6 Classroom in a Book, by Adobe Creative Team

Those creative professionals seeking the fastest, easiest, most comprehensive way to learn Adobe Premiere Pro CS6 choose Adobe Premiere Pro CS6 Classroom in a Book from the Adobe Creative Team at Adobe Press. The 19 project-based lessons in this book show readers step-by-step the key techniques for working in Premiere Pro CS6. Readers learn to take a project from beginning to end where they’ll get the basics on things like organizing media, using audio, creating transitions, producing titles, and adding effects. Once they have the basics down, they'll learn how to take their projects further by sweetening and mixing sound, compositing the footage, adjusting color, using multicamera editing techniques, authoring DVDs, and much more.

This completely revised CS6 edition covers new features, including the Warp Stabilizer effect for stabilizing uneven, shaky footage. Powerful new trimming techniques are explored in detail and an entire chapter covers the new expanded multicamera editing features. The new interface in Adobe Premiere Pro 6 offers many new capabilities to the editor who needs quick results and this book covers the workflows required to get the job done. Best of all, the companion DVD includes lesson files so readers can work step-by-step along with the book.

“The Classroom in a Book series is by far the best training material on the market. Everything you need to master the software is included: clear explanations of each lesson, step-by-step instructions, and the project files for the students.” —Barbara Binder, Adobe Certified Instructor, Rocky Mountain Training

Classroom in a Book�, the best-selling series of hands-on software training workbooks, helps you learn the features of Adobe software quickly and easily. Classroom in a Book offers what no other book or training program does—an official training series from Adobe Systems Incorporated, developed with the support of Adobe product experts.

Note from the publisher:

If you experience any issues accessing the files on the DVD please contact�ask@peachpit.com�to receive a link to the online file downloads

  • Sales Rank: #218969 in Books
  • Brand: Brand: Adobe Press
  • Published on: 2012-07-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 7.40" l, 2.10 pounds
  • Binding: Paperback
  • 480 pages
Features
  • Used Book in Good Condition

About the Author

The Adobe Creative Team of designers, writers, and editors has extensive, real world knowledge of Adobe products. They work closely with the Adobe product development teams and Adobe's Instructional Communications team to come up with creative, challenging, and visually appealing projects to help both new and experienced users get up to speed quickly on Adobe software products.

Most helpful customer reviews

24 of 25 people found the following review helpful.
I'm a seasoned vet and learned so much!
By N. Schale
Ok, full disclosure; I am a seasoned vet with Premiere and was reviewing this book for a User Group that I run in Kansas City. After going cover to cover I can confidently say this book is HIGHLY recommended.

The Classroom in Book series is fantastic for taking people with no knowledge of the subject matter and getting them up and running in one quick read. I love the format of the Classroom in a Book series as they start each chapter with what you can expect to learn and approximately how long it will take. The steps are napoleon corporal clear and at the end there is a short non-intimidating quiz to review. Classroom... in a book.

As a seasoned vet that uses Premiere on a daily bases if I can pick up one or two shortcuts from a book/class/tutorial it is normally worth it as I'll reuse that a thousand times over in a year's time. I must have picked up a dozen things that had me shaking my head "I cannot believe I didn't know this was in there." Some of it was new stuff for version CS6 but so much of it has me wondering how many years I've missed out.

I use to be of the midset "Let's be honest, NLEs typically are not that different or complex, sure I'll take the Pepsi challenge with Adobe vs anyone but it's a preference." Not anymore. I picked up so many tips, tricks, and shortcuts I actually based my next group around the entire book.

If you are new or switching over from another NLE... this book is for you! If you are a seasoned vet, you will find that it's a FAST read with some fluff content (designed for the beginner) and I bet at the end you will be wanting more, maybe a Classroom in a book part II for the pros ;) Great book.

13 of 14 people found the following review helpful.
Thoughts on the Kindle Edition
By mingus500
I've recently received the Kindle edition of the book, so I've not had time to fully read the book. Therefore, this review is based solely on my thoughts about the Kindle presentation of the material, and not the material itself. My goal is to help people decide whether to purchase the Kindle or the paperback book, not whether the book itself rates 4 stars.

First, the lack of a physical DVD that accompanies the paperback is not a problem. Inside the Kindle version is a link to a website to download about 5 gigs worth of media/project files. If you've got a broadband connection and an hour or two to wait, you're covered.

Regarding the layout of the content, it works pretty well using a larger second monitor to display the pages while you perform the included lessons. (I use a 24-inch LCD at work.) Most of the screen captures are large enough to read easily. However, there a few figures in the book that are too small to read on a standard kindle. I wish the images included in the kindle version were a little higher quality. You don't notice it often, but when you look closely to view smaller images, you can see .jpg 'mosquito noise' compression that makes it harder to read. Fortunately, these problem images are pretty rare.

The color reproduction on a monitor is good. Viewing the book on a standard size kindle, in greyscale and at a much smaller size, things get more difficult. The text of the book, and the larger images are fine, but smaller, more detailed images (like complete-screen captures) are hard to view at times.

Given that at least 95% of the images in the book are easy to read (at least on a 20+ inch monitor), and almost all of the really crucial images are scaled up enough to read, I am not really disappointed. But I am deducting a star from the rating because of this limitation.

On the plus side, I'd rather deal with the occasional muddy image in exchange for not having to hold a thick paperback open while performing the book's lessons. Having the information easily at hand, alongside a running copy of Premiere, is a much better tradeoff to me. And I still plan to read the book on my kindle, away from the computer, to get a feel for Premiere. Finally,the lower cost of the kindle edition (at the time of my purchase) factors in my evaluation, too.

In summary, I prefer the kindle edition, but might not feel this way if I were using a standard kindle or tablet with this book.

16 of 18 people found the following review helpful.
New Authors Have Made this the Best Book on Premiere Pro, Ever!
By Brian M. Stoppee
For Premiere Pro (Pr) CS6, Adobe introduced a new user interface (UI) and a variety of new keyboard shortcuts. In essence, it feel like a very new product. Earlier this year we had to go back to a Pr CS5.5 project and had forgotten how much Pr CS6 changed everything in a most wonderful way.

Adobe Press made a big change to "Adobe Premiere Pro CS6 Classroom in a Book" (CIB) from their CS5 edition. The new writing team of Richard Harrington and Maxim Jago came on board. Richard is a prolific writer. We have quite a few of his books and they never disappoint. In all candor, we come across Richard on various internet forums and Facebook assisting others with image-making projects, but we don't know one and other all that well and not enough to alter our opinion of his writing.

To set the stage, we go back to Premier 1.0 as well as having had a traditional video editing suite, in the days of tape. Admittedly, we had not kept up with all the Premier revisions until CS5. The previous edition assisted us in getting up to speed again as did the excellent video/booklet combination "Adobe Premiere Pro CS5 Learn by Video," which Maxim co-authors.

Generally speaking, the CIB series appeals to beginners and to some degree those professionals who wish to see what's new. This CIB has more of a higher end direction than any others we have found, to date. Since Premiere Pro CS6 has many of the biggest names in Hollywood and broadcasting crossing over to it rather than the latest scaled-down version of Final Cut Pro (FCP), this edition of Pr CIB has to be the most thorough book ever written on the subject.

There isn't a CIB on Encore, Adobe's DVD/Blu-ray authoring app. This CIB has a 20-page PDF which introduces some basic Encore learning as a nineteenth chapter in this book, along with two sections of Maxim's latest, "Adobe Premiere Pro CS6 Learn by Video." To carefully explore all 19 chapters, we suggest setting aside 18 to 20 hours. At $35, that's a fabulous deal. From our experience with "Adobe Premiere Pro CS5 Learn by Video," if you'd like another 15 hours of video training, we'd recommend that, as well.

If you're new to Premiere Pro, you'll want to carefully study the first chapter. It's a tour overview. For those of you coming to Pr from FCP or Avid, these are must-know topics. If non-linear video editing is a completely new experience for you, don't struggle through this chapter and feel like you're doomed to never grasp all that Pr has to offer. The subsequent chapters will guide you through all of it. If you are new to all postproduction software apps you might want to start with the CIB on Adobe's Production Premium suite, "Adobe Creative Suite 6 Production Premium Classroom in a Book." Study it first and then come back to this CIB.

The second chapter is a big improvement over the CS5 edition of this CIB. It dives right into setting up a project. If you're a newbie at this, just setting up the project can be a deal breaker. There's a truckload of technical jargon Pr throws at you. To professional editors it's all quite common. However, even some of the most seasoned users of other Adobe apps get lost in it all. This CIB's chapter is a desktop reference guide to all of it.

The organization of the third chapter has been greatly expanded over the CS5 edition to explain more than just importing video. It's directed at importing anything, including Illustrator and Photoshop files. It also guides you through the incoming formats including what is brought over from the new rough cutting app, Adobe Prelude, which we use extensively.

It's worth mentioning that a great chapter was cut from this edition on capturing excellent shots. However, we doubt many of the FCP or Avid professionals would find that of interest, but newbies to video would. It's part of what makes this CIB a bit more upscale. From this point forward, the teaching direction of the CIB begins to take on a very new route than the previous edition and we applaud how it is done.

One of the most important things an editor must do is organize all the asset to go into the video. That can be cumbersome and clumsy or it can be impeccably clear. The fourth chapter guides the reader in making sure it's the latter while making the lessons into a very complete tour of Pr's panels for managing assets.

"The Essentials of Video Editing" is an appropriate name for the fifth chapter which is not a video primer. It's more like an exposition of Pr's fine points. It provides a detailed review of the app's editing tools.

Pr is not an app which you can launch and immediately identify how to begin working with it. Some of it bears resemblances to Adobe's Bridge as far as panels are concerned, but getting the hang of working with clips and markers takes a little more guidance. If you're new to all of this, chapter six is worth taking slowly and absorbing every aspect of the lessons. The same can be said for the seventh chapter on transitions. The reader can just look at the pages and understand the concepts. These chapters serve as a much needed guide.

Understanding some of the more advanced editing techniques of Pr is not simple if you have not been around them in other non-linear editing apps. This book's use of graphics makes all of that clear and simple to understand in this CIB's eighth chapter.

At about halfway through the book, so far we have been just mastering the tools and techniques of Pr. The fun begins with chapter nine when you get to learn how to put some things into motion. There's a sense that you've finally begun to up your game when you can begin to see some very professional applications of your new Premiere Pro knowledge being made.

Great dSLR (digital single lens reflex) cameras which do 1080 HD movies are very inexpensive from Canon, Nikon, and Sony. Some are less than $1,000. Shooting one event with multiple cameras is within the reach of many. Consider the scenario of covering a wedding from 2, 3, or 4 camera angles. That's great but what do you do in keeping all of that in sync when you edit it all together? Adobe's Pr team came up with an excellent means of doing that, for CS5. It's a bit of a departure from how you've been working in Pr. Chapter ten manages to squeeze those concepts into just 14 pages.

At this point, discovering how audio is handled in Pr is essential in the learning process. Chapters eleven and twelve are the most comprehensive look at how Pr handles this. In all candor, we do very little in Pr with audio. We do that in Audition (Au), an app Adobe included in the Production Premium and Master Collection suites for the not very popular CS5.5. So, most people are just discovering Au with CS6 through those two suites plus Creative Cloud. Both of this CIB's chapters mention a bit of Au but leave the majority of that to the CIB about Au, which we're still studying and will have a review on in a few days.

Initially, we thought it was a bit odd to teach video effects, in Chapter 13, after the audio chapters. Once we dove into it we realized that the authors were taking a refreshing approach. Most think of creating things in After Effects (AE) and introducing them to Pr. This chapter includes how to start in Pr, shoot it over to AE, and bring it back to Pr. This readjusted some thinking on our own workflow.

Unless you have been around video production in the days of tape all of what happens with scopes may seem like something which belongs on movies about working on a submarine. Adobe has faithfully moved those devices into a digital environment. Chapter 14 is essential in your learning to utilize those tools. It provides a very thorough explanation of their purpose and use which should allow you to dramatically improve the color of your finished projects. But, the chapter goes beyond there. We learned a few new tricks about color removal and replacement which we have not seen elsewhere. The chapter just touches on SpeedGrade (Sg), Adobe's newly acquired app for "grading" color and exposure or creating visual themes. We respect the authors not giving into the temptation to delve deeply into Sg and doing an incomplete job.

The term "compositing" conjures up something to a Photoshop (Ps) user and something a bit different to the Premiere Pro user. If you're coming from putting together a group of people in Ps, who have never met, it may take you a few pages to understand why that's applicable to Pr. If you have been itching to do some green screen projects, chapter 15 is going to get your head in gear on some cool things you to do in Pr. We're glad to see that a page has been added about the Roto Brush tool in After Effects. It helps the reader to understand what's available if you must work with existing footage which you wish had been shot on a green screen.

Chapter 16 is quite impressive. It starts with titling basics and assumes you have no background in any of the other Adobe apps which use type. If you do, don't breeze through the first few pages of this chapter. Type in Pr is very different than in Illustrator, InDesign, or Photoshop, sometimes to the point of aggravation. It appears to work similarly to the way old broadcasting equipment did so Pr's titling might feel right at home to some long-term video pros. Just as you feel this chapter may be a bit too basic for you, page 408 changes your mind. If you've ever wanted to make text roll, like the credits in a movie, or crawl as broadcasters do at the bottom of a screen, you'll be excited to work through these lessons. To take it further, the authors have added a few pages on even cooler things you can do with text using AE.

It may also seem a bit strange to hold off a discussion of managing projects until the second to the last chapter of the book. Don't skip this one. It's preparing you for the final chapter which guides you through the exporting options. These tasks perplex some of the most dedicated Adobe app professionals. Even some of the best informed Adobe managers have admitted to getting lost during presentations of a few of these apps.

Overall, this is our favorite book on Premiere Pro, ever. We give it a solid five stars. It's an impressively organized, written, and designed set of chapters and lessons.

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Sunday, October 30, 2011

[T957.Ebook] Fee Download Ethics: A Contemporary Introduction (Routledge Contemporary Introductions to Philosophy), by Harry J Gensler

Fee Download Ethics: A Contemporary Introduction (Routledge Contemporary Introductions to Philosophy), by Harry J Gensler

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Ethics: A Contemporary Introduction (Routledge Contemporary Introductions to Philosophy), by Harry J Gensler

Ethics: A Contemporary Introduction (Routledge Contemporary Introductions to Philosophy), by Harry J Gensler



Ethics: A Contemporary Introduction (Routledge Contemporary Introductions to Philosophy), by Harry J Gensler

Fee Download Ethics: A Contemporary Introduction (Routledge Contemporary Introductions to Philosophy), by Harry J Gensler

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Ethics: A Contemporary Introduction (Routledge Contemporary Introductions to Philosophy), by Harry J Gensler

Harry Gensler’s Ethics introduces undergraduates to the main issues in contemporary moral philosophy. It also relates these issues to practical controversies, with special attention paid to racism, moral education, and abortion. It gives a practical method for thinking about moral issues, a method based largely on the golden rule.


Key Features:
•�Serves as either the sole textbook for a lower-level introduction to ethics/moral philosophy course or a supplementary text for a more advanced undergraduate ethics course
•�Provides clear, direct writing throughout, making each chapter easily accessible for an engaged undergraduate
•�Offers a philosophically rigorous presentation of the golden rule
•�Includes helpful study aids, including: bolded technical terms, boxes for key ideas, chapter summaries, suggested readings, and a glossary/index


Key additions to the Second Edition:
•�A new chapter on virtue ethics, which deals with Aristotle, Plato, and related controversies
•�A new chapter on natural law theory, which deals with Aquinas, double effect, sexual morality, and related controversies
•�A significantly revised chapter on the golden rule, which is now much clearer on certain key points
•�A significantly revised chapter on nonconsequentialism, which now has expanded coverage of human rights, libertarianism, and socialism, and uses the right to health care as a case example
•�An expanded bibliography
•�A new appendix that overviews key books students will want to pursue upon completing Ethics: A Contemporary Introduction, Second Edition
•�A rewritten instructional program, EthiCola, which is now much easier to download and use and has (for students) revised exercises for each chapter and (for instructors) a score-processing program, class slides, and instructor’s manual.� This can be found on the book’s companion website: http://www.routledge.com/textbooks/gensler.

  • Sales Rank: #507027 in eBooks
  • Published on: 2011-02-24
  • Released on: 2011-02-24
  • Format: Kindle eBook

Review

"There have been many introductions to ethics but none comes close to the clarity and student-friendliness that characterize Gensler’s Ethics:�A Contemporary Introduction. The content is not only informative but also a pleasure to read. Gensler’s resourcefulness keeps producing engaging questions that hold the reader’s attention from cover to cover. Thoroughly researched and rigorously argued, this revised and amplified second edition will prove very valuable to lecturers of ethics and students for many years to come."–Louis Caruana, S.J., Reader in Philosophy, Heythrop College, University of London

“Gensler's Ethics affords a concise and coherent account of the most significant frameworks of ethical thinking in contemporary ethics. It also offers readers a consistent and rigorous mode of analysis of each position. The text is replete with study questions and bibliographical resources. This second edition also adds a helpful new section on virtue ethics.”–James Swindal, Associate Professor and Chair of Philosophy, Duquesne University

About the Author
Harry J. Gensler, S.J., is Professor of Philosophy at John Carroll University in Cleveland. Some of his other books include Formal Ethics (1996), Ethics: Contemporary Readings (2004), Anthology of Catholic Philosophy (2005), Historical Dictionary of Logic (2006), Historical Dictionary of Ethics (2008), and Introduction to Logic, Second Edition (2010).

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5 of 5 people found the following review helpful.
Solid intro to philosophical ethics, just a bit bland and over-simplified
By Transcendental Thomist
Too many simplistic Hitler references (surely Nazism and racism are not the only moral evils?) and overly rationalized speculations about irrational human motives here, but this is a pretty solid (and thin!) paperback that delivers a breezy overview of different philosophical views of the good and what it requires of us. Father Gensler, a Jesuit moral philosopher, does a serviceable job of presenting both sides of every theory without resorting to straw men caricatures. As a quick summary of the pros and cons of different ethical views like utilitarianism, it's a pretty handy little book, and the accompanying exercises on Gensler's website (the "EthiCola" program) are a neat interactive supplement.

However, the treatment is inconsistent at times, and you'll find yourself arguing with Gensler to give a fair shake to certain theories he may be too quick to dismiss with vague refutations. He also relies too heavily on a Kantian duty ethics framework, limiting his analysis to theories of the good and the duties they require, without delving into more nuanced ethical concerns. Too much time is spent refuting other ethical theories as a prelude to advancing the author's own "Golden Rule consistency" theory based on the maxim (or central duty) of "do unto others as you would have them do unto you." Things become clear once Gensler finally unveils his theory for practicing the Golden Rule in a logically consistent way, but it's just a variation on Kant. As Gensler himself puts it on p. 93: "In many ways, my GR consistency view is a contemporary restatement of Kant's approach to ethics." Practically speaking, I'm not sure what Gensler's view contributes to human moral behavior, other than pointing out its frequent lack of logic.

That aside, each chapter is short and pretty digestible for students. The chapters are succinct and clear, following a simple pattern that makes it easier for students to grasp. And Gensler's version of the Golden Rule does make sense: "Treat others only as you consent to being treated in the same situation." If you follow Gensler in limiting ethics to the central question of "how should human beings act" in a way consistent with their understanding of what is good, and if you agree with his now-dated assumption that Kant said the last word in philosophy, you'll probably love this book. Otherwise, you might just find it to be a good read, held back only by its plodding tunnel vision.

3 of 4 people found the following review helpful.
Ethical Tool-Kit
By not me
This book is an easy-to-understand introduction to ethical reasoning. I say "ethical reasoning" rather than "ethical philosophy" because the author doesn't survey the great ethical philosophers or go book-by-book through the ethics canon. Instead, he outlines competing approaches to ethics (such as intuitionism and emotivism), and subjects them to critical analysis. He ends up defending a Kantian "Golden Rule" approach that enables us to reason consistently about ethical problems, even though it offers no conclusions about the ultimate source of ethics.

Although the book handles no issue in depth, it does zero in on most of the main issues in contemporary analytic ethics. It provides the reader with the basic tools for thinking rationally about ethical dilemmas. For beginners, that's more helpful than the exegesis of Great Books.

5 of 7 people found the following review helpful.
Spare yourself: do NOT go to the sources
By Zimmermann
Shure, if you're already familiar with ethics you might find it's rather a glancy look into The Morale. But mind you: it's an introduction - meaning it's set up for people who are interested in ethics, but have no prior knowledge about this topic. To these people it gives them a fair look at ethics. If they're really interested Gensler gives them plenty references to go out and buy the sources.
I do agree though that it's kind of annoying that Gensler does not refrain from pushing the reader in a certain kind of ethical direction. Overall, I give it 4 stars out of 5.

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Saturday, October 29, 2011

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  • Sales Rank: #2471391 in Books
  • Published on: 1994
  • Binding: Paperback

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Tuesday, October 25, 2011

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  • Sales Rank: #3647099 in Books
  • Published on: 1948-01-01
  • Original language: English
  • Number of items: 2
  • Binding: Paperback
  • 16 pages

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Monday, October 24, 2011

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  • Sales Rank: #1794506 in Books
  • Brand: Evans
  • Published on: 1986-11
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 408 pages
Features
  • Used Book in Good Condition

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1 of 1 people found the following review helpful.
Bad Girls!
By Madeline Bocaro
A concise yet detailed encyclopedia about the baddest women of all time. The specifics of their infamous crimes, punishments and ultimate demise are fascinating, and extremely well written. Through the ages, the hangings, beheadings and burning at the stake were surely justified in some of these cases. These women were brutal!

0 of 0 people found the following review helpful.
Five Stars
By William Wagner
Shows the devious side of the female

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Sunday, October 23, 2011

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  • Sales Rank: #2740669 in Books
  • Published on: 2015-10-01
  • Dimensions: .42 pounds
  • Binding: Paperback

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Friday, October 21, 2011

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Elsewhere, by Gabrielle Zevin

Welcome to Elsewhere. It is warm, with a breeze, and the beaches are marvelous. It's quiet and peaceful. You can't get sick or any older. Curious to see new paintings by Picasso? Swing by one of Elsewhere's museums. Need to talk to someone about your problems? Stop by Marilyn Monroe's psychiatric practice.
Elsewhere is where fifteen-year-old Liz Hall ends up, after she has died. It is a place so like Earth, yet completely different. Here Liz will age backward from the day of her death until she becomes a baby again and returns to Earth. But Liz wants to turn sixteen, not fourteen again. She wants to get her driver's license. She wants to graduate from high school and go to college. And now that she's dead, Liz is being forced to live a life she doesn't want with a grandmother she has only just met. And it is not going well. How can Liz let go of the only life she has ever known and embrace a new one? Is it possible that a life lived in reverse is no different from a life lived forward?
This moving, often funny book about grief, death, and loss will stay with the reader long after the last page is turned.

Elsewhere is a 2006 Bank Street - Best Children's Book of the Year.

  • Sales Rank: #39287 in Books
  • Brand: Zevin, Gabrielle
  • Published on: 2007-05-15
  • Released on: 2007-05-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.28" h x .81" w x 5.46" l, .60 pounds
  • Binding: Paperback
  • 304 pages

From School Library Journal
Starred Review. Grade 7-10–What happens when you die? Where do you go? What do you do? Zevin provides answers to these questions in this intriguing novel, centering on the death of Liz Hall, almost 16 years old and looking forward to all that lies ahead: learning to drive, helping her best friend prepare for the prom, going to college, falling in love. Killed in a hit-and-run accident, Liz struggles to understand what has happened to her, grief-stricken at all she has lost, and incapable of seeing the benefits of the Elsewhere in which she finds herself. Refusing to participate in this new life, Liz spends her time looking longingly down at the family and friends back on Earth who go on without her. But the new environment pulls her into its own rhythms. Liz meets the grandmother she never knew, makes friends, takes a job, and falls in love as she and the other inhabitants of Elsewhere age backward one year for each year that they are there. Zevin's third-person narrative calmly, but surely guides readers through the bumpy landscape of strongly delineated characters dealing with the most difficult issue that faces all of us. A quiet book that provides much to think about and discuss.–Sharon Grover, Arlington County Department of Libraries, VA
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Narration from beyond the grave has been cropping up with some frequency in YA novels this year, including Chris Crutcher's The Sledding Hill and Adele Griffin's Where I Want to Be (both 2005). But this example, Zevin's second novel and her first for the YA audience, is a work of powerful beauty that merits judgment independent of any larger trend.

The setting is an elaborately conceived afterlife called Elsewhere, a distinctly secular island realm of surprising physical solidity (no cottony clouds or pearly gates here), where the dead exist much as they once did--except that no one dies or is born, and aging occurs in reverse, culminating when the departed are returned to Earth as infants to start the life cycle again.

Having sailed into Elsewhere's port aboard a cruise ship populated by mostly elderly passengers, 15-year-old head-trauma victim Liz Hall does not go gently into Elsewhere's endless summer. She is despairing, intractable, sullen, and understandably furious: "You mean I'll never go to college or get married or get big boobs or live on my own or get my driver's license or fall in love?" She rejects her new existence, spending endless hours keeping tabs on surviving family and friends through magical coin-operated telescopes, and refusing to take the suggestions offered by a well-meaning Office of Acclimation. Eventually, though, she begins to listen. She takes a job counseling deceased pets, forges an unexpected romance with a young man struggling with heartbreaks, and finds simple joy in the awareness that "a life is a good story . . . even a crazy, backward life like hers." Periodic visits with an increasingly youthful Liz, concluding with her journey down the "River" to be reborn, bring the novel to a graceful, seamless close.

Although the book may prove too philosophical for some, Zevin offers readers more than a gimmick-driven novel of ideas: the world of Elsewhere is too tangible for that. "A human's life is a beautiful mess," reflects Liz, and the observation is reinforced with strikingly conceived examples: a newly dead thirtysomething falls in love with Liz's grandmother, who is biologically similar in age but experientially generations older; fresh arrivals reunite with spouses long since departed, creating incongruous May-December marriages and awkward love triangles (as Liz experiences when her boyfriend's wife suddenly appears). At one poignant moment, four-year-old Liz loses the ability to read. The passage she attempts to decipher, which comes from Natalie Babbitt's Tuck Everlasting, is another meditation on the march of time and change.

Although Zevin's conception of the afterlife will inevitably ruffle many theological feathers, the comfort it offers readers grieving for lost loved ones, as well as the simple, thrilling satisfaction derived from its bold engagement with basic, provocative questions of human existence, will far outweigh any offense its metaphysical perspective might give. Far more than just a vehicle for a cosmology, this inventive novel slices right to the bone of human yearning, offering up an indelible vision of life and death as equally rich sides of the same coin. Jennifer Mattson
Copyright � American Library Association. All rights reserved

Review

“A work of powerful beauty. This inventive novel slices right to the bone of human yearning, offering up an indelible vision of life and death as equally rich sides of the same coin.” ―Booklist, Starred Review

“With an intriguing and well-developed premise, thoughtful characterization, and refreshing style, Zevin's poignant novel rewards readers with a view of death that celebrates the rich complexities of being alive.” ―The Horn Book, Starred Review

“Intriguing. Surely guides readers through the bumpy landscape of strongly delineated characters dealing with the most difficult issue that faces all of us. Provides much to think about and discuss.” ―School Library Journal, Starred Review

“Zevin's touch is marvelously light even as she considers profundities, easily moving among humor, wisdom and lyricism. . . . No plot synopsis can convey what a rich, wise spell this book casts.” ―The New York Times Book Review

“Elsewhere is a funny, fast-paced, and fascinating novel. The concept is completely out there and yet the emotions are so weirdly realistic. I loved reading the story of Liz's life (death?).” ―Carolyn Mackler, author of The Earth, My Butt, and Other Big Round Things and Vegan Virgin Valentine

“An unusual premise and a thoughtful treatment make Zevin's first effort at writing for young adults a success. Will captivate teens ready for a thought-provoking read. Hopeful and engaging.” ―Kirkus Reviews

“Funny and pensive, happy and heartbreaking. Readers from a broad range of beliefs will find this a quirky and touching exploration of the Great Beyond.” ―The Bulletin of the Center for Children's Books

“Fascinating. Zevin, in her first novel for young people, bends the laws of physics and biology to create an intricately imagined world.” ―Publishers Weekly

“A fun and thought-provoking page-turner. Readers . . . will relish Zevin's lively imagination and her fast-moving plot. Buy this book for them.” ―VOYA

“Great humor and speculation, on pets as well as people.” ―Chicago Tribune

“Zevin presents an intriguing concept of the afterlife in her first novel for young adults.” ―Cleveland Plain Dealer (paperback edition review)

“A charming story about growing up, Elsewhere encourages the reader to look toward the future and to expect the unexpected.” ―Armchair Interviews (paperback edition)

Most helpful customer reviews

38 of 38 people found the following review helpful.
A complex, probing novel wrapped up in a minimalistic, lyrical package of prose
By Karielle @ Books � la Mode
It's been a really long time since I've read a YA book with such a refreshing premise--no vampires, complicated love triangles, or anything remotely Hunger Games-esque here! Now, Elsewhere was published way before the current of "trendy" YA fiction began to flow, which stresses its originality, and its purpose on bookshelves today.

I love the take on reincarnation that's detailed--it's fascinating, imaginative, and immersed me completely from page one! Zevin is also highly accomplished at creating relatable, completely memorable characters. The limited third-person point of view makes Liz rather distant, but she's still easy to appreciate. She's as neurotic and elaborate as any adolescent is: impressively mature at times, but frustratingly childish at others. I feel she's a bit na�ve for a nearly-sixteen-year-old; don't get me wrong: her characterization is amazing, but her superficial portrayal is a little contradicting at times. As a teenage girl, though, she is perfectly accurate. Zevin couldn't have depicted the conflicting feelings and angsts of the modern teenager any better.

Elsewhere is a feel-good novel that keeps you tense and uneasy while reading, but leaves you both breathless and sighing in relief by the turn of the last page. It offers brilliant perspective on experiencing things to the fullest and never underestimating those around you who love you. Through Liz's journey in Elsewhere, spending her life in reverse, I learned that life isn't measured in hours and minutes; it's the quality that matters, not the length. And we, as people, grow with those experiences, not with age.

Young adults will devour this book, and better yet, parents will approve of it because of its tasteful, positive portrayal of life's decisions and values. Zevin's style is evocative, dreamy, and almost transcendent--I'm definitely eager to try some of her other books now.

With a dash of charming romance, wry humor, and life-loving sentiments, Elsewhere engages readers into an afterlife where people falsely are under the impression that they know what will be JUST because they know the amount of time they have left to "live." But like I mentioned, it's experiences that matter, not time; this secret, Liz and readers discover, in the most delightful and adventurous of ways. In the town of Elsewhere, Liz has the chance to live again, to live as she never got to on Earth. To fall in love. To get a job. To know the part of her family she has never known. And she's going to have to make the most of it because even though it may not be clear all the time, good things happen everyday, even when bad things happen first.

Pros: Well-explored characters // Perfect ending // I was cheering at every one of Zevin's plot choices // Lyrical // Stylistically flawless // Plot is incredibly smart, entertaining, and touching // Very easy // Flows smoothly // Unpredictable // Not a high thriller, but its twists and turns are equally unnerving // Romance is perfectly placed // Deep in message of youth, forgiveness, and the meaning of life // Creative premise // Fresh ideas // Sweet, memorable analogies // Owen ♥_♥ // Curtis ♥_♥

Cons: Not particularly suspenseful... I was glued to the pages, but not exactly dying to know what happened next // Liz is frustrating at times, but I guess it's all part of her character!

Love: "The summer air is thick with perfume from Betty's flowers. The scent, Liz thinks, is sweet and melancholy. A bit like dying, a bit like falling in love."

Verdict: Elsewhere is a complex, probing novel wrapped up in a minimalistic, lyrical package of prose. In the vein of The Five People You Meet in Heaven, this book is haunting, affecting, and deeply resonant, and is sure to be a hit among middle-grade and teenage readers (ages 11-16), but even better, among adults as well; the universality makes it all the more impressive. Hilarious in some parts and alarming in others, Gabrielle Zevin's surprisingly and pleasantly touching otherworldly story will make you fall in love--with your friends and family, with your life, and with yourself--and satisfy you completely.

9 out of 10 hearts (5 stars): Loved it! This book has a spot on my favorites shelf.

Source: Purchased.

95 of 112 people found the following review helpful.
If you read nothing else READ THIS BOOK !!!
By Brenda*Leigh*Johnson
I believe this to be

one of the best books I have ever read.

I absolutely loved this book.

Lizzie is killed in a hit and run accident and Elsewhere is the story of

her ' afterlife '. I don't wish to write any more than that because this

book is an absolute must- read. To tell more of the story would be to

spoil a book that will really challenge your beliefs and perspective

about life after death. No-one really knows what happens after death.

Each reader will bring their own personal philosophy to Zevin's story,

but what became apparent as I progressed through the book was that if

life after death was like the Elsewhere of the story, human beings would

fear death less and learn to appreciate wherever they are in their stage

of development in-life and after-life.

Zevin has taken such an everyday concept, turned it on its head and

written what can only be described as a convincing believable story

about where we go and what happens to everyone when they die.

The tone is hopeful, the prose realistic and beautiful. The ending is

utterly perfect. The story is infused with life lessons and gentle

morals without being sanctimonious in the least. In some ways I find it

hard to say all that I really feel about this book, that my words will

not do justice to the story.

Zevin has left no stone unturned. Her tale covers: what happens to

animals, how you progress to the ' afterlife,' how you make contact with

life on earth, and how you become reborn, amongst many other questions

people have about ' what happens when you die ?'. The story is in no way

contrived but highly plausible. I found myself crying consistently on

and off throughout the story, not because it was sad, but because it was

so buoyant and made so much sense about dealing with what is almost

always a disagreeable topic.

Elsewhere is a book that good readers of 13 and above would enjoy. It

poses so many philosophical questions and ideas that would be excellent

for use in a " Gifted and Talented " class. The idea of getting younger

as opposed to getting older would be an excellent starting point for

some creative writing. Students often want to get older quickly before

they've had chance to experience being young, so the possibility of

becoming younger and debating what happens at the point of birth could

open up some amazing philosophical discussion.

In short this book is brilliant. If you read nothing else for the rest

of the year, read this.

25 of 27 people found the following review helpful.
Stunning
By Kelly Graham
I went to the book store the other day, and I was picking and choosing my way through the YA section when this one caught my eye. Glancing at the cover, it didn't look too much different from the others on the New Reads shelf, but one glance inside and I realized how special this book is.

Right in the store, I read the first few pages, making sure it wasn't another frothy, badly written popularity-and-such book. And it wasn't. I practically threw away the book I had specifically come to buy, and spent the entire night reading this instead. As someone else has already mentioned, I started crying near the end, and continued to do so for about ten minutes afterward. This book touches a nerve somewhere deep down, where we all wonder about death, life, and love. (And in case you're wondering, I've only cried at one book before, and no movies ever, so this is a big deal) This book is unassuming at first glance, but reading it made me think about the big things that I think we all wonder about, the things that book should be about. I am pleased that somebody still knows that YA books don't have to be trashy-teen-movie style. Read this book, it's fabulous.

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Tuesday, October 18, 2011

[F462.Ebook] Fee Download Fields of Blood: A Novel (Hannibal), by Ben Kane

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Fields of Blood: A Novel (Hannibal), by Ben Kane

Hannibal's campaign to defeat Rome continues. Having brought his army safely over the Alps in winter, he now marches south to confront the enemy. With him is a young soldier, Hanno. Like his general, Hanno burns to vanquish Rome. Never has the possibility seemed so likely.

Facing Hanno is his former friend, Quintus, whom Hanno met while in Roman captivity. A bitter quarrel with his father led Quintus to join the Roman infantry under an assumed name. Among his legionaries, he finds that his enemies are not just the Carthaginians, but men of his own side.

A stealthy game of cat and mouse is being played, with Hannibal seeking to fight, and Rome's generals avoiding battle. But battle cannot be delayed for much longer. Eventually, the two armies meet under a fierce summer sun in August in the south of Italy. The place is Cannae-the fields of blood. The encounter will go down in history as one of the bloodiest battles ever fought, a battle in which Hanno and Quintus know they must fight as never before-just to stay alive.

  • Sales Rank: #693716 in Books
  • Published on: 2016-02-02
  • Released on: 2016-02-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.31" h x 1.37" w x 5.43" l, 1.00 pounds
  • Binding: Paperback
  • 512 pages

Review
"Excellently written" Army Rumour Service "A master of the details...his research is meticulous" For Winter Nights "Ben's research is impeccable...Highly recommended" Parmenion Books

About the Author
BEN KANE was born in Kenya and raised there, as well as in Ireland. He studied veterinary medicine at University College Dublin, and after that he traveled the world extensively, indulging his passion for ancient history. He now lives in North Somerset with his wife and family.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great book series! I can't put it down!
By Valerie McGinnis
The book took a little while to arrive but it was in excellent condition! The condition stated was only good so I was pleasantly surprised when I looked through it that it wasn't worn at al
Thiso book collection is amazingly written. The books pull you in from the start and you won't be able to stop reading it! This is the second book in a series of 3. This book does start a little slow as it recaps the previous book but after you are through that wow it is good! I definitely recommend this as a good read.

0 of 0 people found the following review helpful.
Good fast read
By Wayne J.
Good fast read. Situations in which some characters are depicted are a stretch like commanders of Hannibal troops going missing for several days without notice. Entertaining.

0 of 0 people found the following review helpful.
You will enjoy this book
By Amazon Customer
Great Book.. Fun to Read.. I loved it

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